Portable Size and Lightweight
Ideal for mobile shooting
Although built-in wireless image transmission, the FT6 and FR6 maintain a slim shape. 5.5 inches small size and only 370g weight, which is the ideal for on-site mobile shooting.
800ft Transmission Range with Ultra-low Latency
800FT reliable wireless transmission with only 0.07s latency, can satisfy the requirements of more professional live streaming and monitoring.
11 Channels for Selection
Bring you more stable pictures
There are 11 signal channels for selection for the wireless monitor. You can choose the best channel freely. When you don’t need the transmission function, you can long press the power icon to turn off. Plus, there is WPS pairing function. When you need to replace the transmitter or receiver, please long press WPS of both the transmitter (TX) and receiver (RX) about 1 second to enter the pairing mode, and wait for the pairing to success.
1920x1080 Display with Rec.709 Color Calibration
Better viewing and capture every Detail
The 5.5" IPS screen features a 1920 x 1080 resolution, packing 400 pixels per inch and provides a wide viewing angle of 160°and for easier off-axis position monitoring. Built-in 3D LUT color calibration, which complies with the standard of REC-709, can calibrate each monitors so that it can eliminate the trouble of color cast.
Simply Operation, Professional Auxiliary Tools
Accurately exposure and focus every shot
Our flexible OS is packed with an extensive suite of scopes, all 1-touch away and simple to use. The Video OS includes tools for focus, framing & exposure (waveform, RGB parade, vectorscope, RGB histogram, histogram, audio meter, focus peaking, zoom, zebra, false color, frame guides, safe area, etc.) along with a flexible 3D LUT implementation (use built-in LOG to Rec.709 video or upload .cube files), HDR monitoring and options for anamorphic de-squeeze monitoring.
Load Custom 3D LUTs to Recreate Film Looks!
Support 50 LUTs
Some cameras can output logarithmic colors pace to preserve the dynamic range, which is great for later post production, however when these files are viewed on a monitor they can look flat and washed out. 3D LUTs solve this problem because they allow you to apply a "look" to the monitor so you get an idea of how the finished images will look like when editing. You could use 4 built-in LOG to Rec.709 video or upload .cube files ( A single file must not exceed 7.9M, supports files with LUT_3D_SIZE of 16, 17, 32, 33, 64, 65.). FT6, FR6 allows you to load internally up to custom LUTs (Up to 50 user files can be imported), looks or profiles at any time via the TYPE-C interface to USB . Slot and instantly select between them, maintaining creative intent, always.
For incredible clarity and detail
FT6, FR6 have built-in HLG 2020, HLG 709, HLG P3 HDR 3D LUT, and Rec709 De-slog3 LUTs, includes SLOG2, SLOG3, LOGC, VLOG. The monitor can display an HDR (high dynamic range) signal for incredible clarity and detail, simplify the complexities of shooting Log and HDR, helping you to replicate post-production workflows at the moment when it matters most–while shooting.
HDMI INPUT & OUTPUT
Both FR6, FR6 with HDMI input and output signal interfaces, allowing it to not only display live signals, but also send them out to other monitors simultaneously. It's the ability to display live picture on multiple displays at once while still maintaining the original video quality. Plus, you can monitor audio using the 3.5mm stereo headphone jack.
Power Your DSLR or Mirrorless Camera
The FT6, FR6 provide auxiliary power out (DC OUT 8V), allowing shooters to power their cameras. With a battery adapter cable (Optional), extend camera run-time, while providing a more usable display.
Barrel output for powering your camera with a separately available DC coupler via adaptor (NP-FW50 Sony & LP-E6 Canon & DMW-BLF19 Panasonic). More adapters coming soon.
Note: since different brands and models of cameras require different power for normal operation, the camera may not be able to take pictures or video normally. Therefore, when using batteries to power the monitor, in order to use the camera normally, it is recommended to use a large-capacity fully charged battery.
Synchronous Output for Easy Monitoring
FR6 receives the video from FT6 can be output to other monitors (same screen display) through HDMI OUT, convenient for the director and photographer to monitor at the same time.
Innovative Power Supply Design
Support dual F970 batteries power supply
In addition to the 12V universal power supply; FT6, FR6 also have dual battery slots in the back. You get 2 rear battery slots for installing Sony L Series batteries, so you have enough power for the screens. Plus with 2 battery slots, you can change batteries without interrupting monitoring, just need to double-tap the battery icon on the upper right corner of the monitor, after about 3 seconds switch to the other battery. The monitor install one F970 battery (6600mah) last for about 2 hours, and install two F970 batteries last for about 4-5 hours. You can choose install 1 or 2 battery base on your need.
Compatible Battery: Sony F970, F960, F950,F930, F770, F750, F730, F570, F550, F530, QM91D, QM91, QM90D, QM90, QM71D, QM71, QM70D, QM70, QM51D, QM51, FM71, FM70 series. (Note: the battery not including, please purchase separately)
Battery Level Display
When the battery/batteries is/are placed in the battery slot(s), battery icon will appear on the upper right of the screen. White icon indicates the working battery, gray icon indicates not working battery. Double-tap the gray battery icon and it will be switched to a working state in about 3 seconds, then it will be turned white. There will be a red prompt when the battery is almost dead, please replace the battery in time.
Portable Sunshade Easy Install
Avoid the interference of outdoor strong light
The FT6, FR6 wireless monitor is equipped with a sunshade, which allows the photographer to focus more on the video and avoid the interference of strong light, providing a better visual experience. The installation process is simple and fast, which is very suitable for outdoor shooting.
Ideal for Director and Photographer
800FT transmission range with 70ms ultra-low latency and other advance features make FT6, FR6 suitable for film crew shooting. Ideal for the director and the photographer.
User LUT Cube Import
FT6 FR6 provide S-log2/3, V-log, Log-C etc, to convert log mode to REC709 for all major cameras. The LUT loading function makes the color calibration work of the previous shooting easier and more intuitive, optimizes the workflow and improves work efficiency. User creative 3D LUT cube or calibration 3D LUT cube can be uploaded to FT6 FR6 by TYPE-C to USB.
Video Analysis Assistant Pattern
Waveform / Vector scope / Histogram
This essential feature assists with the calibration of professional video cameras. It shows the overall brightness of the image assisting the video professional in correcting exposure. The waveform feature also checks the evenness of the lighting when lighting a chromakey or background.
Vector scope shows how saturated the image is and where the pixels in the image land on the color spectrum. It can also be displayed in various sizes & positions, that allows users to monitor color gamut range in real time.
The Brightness Histogram is a quantitative tool to check the picture brightness.The feature shows the distribution of brightness in an image as graph of brightness along the horizontal axis (Left:Dark, Right:Bright)and a stack of the number of pixels at each level of brightness along the vertical axis.
All Scopes Mode
This mode shrinks your video image to approximately the size of a 5.5" display and tiles your choice of waveform, vectorscope, histogram, and embedded audio on the border of your video.
Audio Meter Monitoring
The Audio Level Meters provide numerical indicators and headroom levels. It can generate accurate audio level displays to prevent errors during monitoring. Below -18dB column shows green; -18dB~-08dB column shows yellow; above -08dB shows red.
Peaking Focus Assist
The Peaking Filter is used to aid the camera operator in obtaining the sharpest possible picture. When activated, the internal processor will display a colored highlight on the screen where sharp edges appear. You can switch the putline color between red, green, blue according to different tone of the subject.
The False Color filter is used to aid in the setting of camera exposure. As the camera Iris is adjusted, elements of the image will change color based on the luminance or brightness values. This enables proper exposure to be achieved without the use of costly, complicated external test equipment.
The Exposure is used to assist in exposure adjustment in the mode of Zebra Pattern. It is considered overexposed and displays the moving warning lines onto the over exposed areas. 1-100IRE adjustable.
Check Field is an assistant function to adjust camera color settings. Under the check field mode, you can use red, green, blue or gray pixels to generate the image, because hue and saturation can be adjusted more quickly and accurately in this environment.
Zoom In (100%～300%)
Image magnification is HD signal in any part, an amplification for high quality close-up. The touch panel can help you zoom in quickly, zoom out and move the image after zooming in.
Built-in selection of no squeeze, 1.25x, 1.33x, 1.5x, 2.0x or 2.0x mag allows you to use anamorphic lenses or adapters and see the image unsqueezed, even if your camera does not de-squeeze in camera.
The Horizontal,Vertical and Hor&Ver of the image around flip.
After auto-mirror is turned on, rotate the monitor vertically, and the picture will be adjusted upside down automatically.
Zoom one of the images to realize the full screen. You can switch the Mark color between Red, Green, Blue, White, Black according to different tone of the subject.
Pixel to Pixel
Enable the filmmaker to check the image from the 1:1 signal source without scaling.This feature is essential for capturing optimum detail.
Center Marker & Safe Marker
Safe Mark for View Finding and Composition (80%, 85%, 90%, 93%, 96%, 2.35:1). You can switch the Mark color between Red, Green, Blue, White and Black according to different tone of the subject.
(4:3, 13:9, 14:9, 15:9, 16:9, 1.85:1, 2.35:1). Frame blanking zone includes 6 Levels, from 0-6 (Transparent to Black). You can switch the Mark color between red, green, blue, white and black according to different tone of the subject.
• 1920 x 1080 Display Resolution
• Transmits up to 1080p Video
• Supports up to DCI and UHD 4K Video
• Touchscreen LCD
• Four Built-In HDR Viewing LUTs
• Supports up to 50 User-Uploadable LUTs
• 2 x L-Series Battery Plates, 12V Power
• 8 VDC Output power
FR6 Monitor With Built-In Wireless Receiver:
|LCD Panel||Size: 5.5" / 13.9 cm
Resolution: 1920 x 1080
Pixel Pitch: 0.0639 x 0.0213 mm
Aspect Ratio: 16:9
Brightness: 500 cd/m²
Contrast Ratio: 1000:1
Viewing Angle: 160° L/R, U/D
|Input and Output Connectors||Input
1 x HDMI Type-A
1 x HDMI Type-A
1 x 3.5 mm (Audio, Headphone)
|Video||4096 x 2160: 24
3840 x 2160: 23.98/24/25/29.97/30
|Wireless||Frequency: 5.1 to 5.9 GHz
System Latency: 70 ms
Transmission Range: 820.21' / 250 m
|Power||Input Voltage: 7 to 24 VDC
Consumption: 18 W
Output: 8 VDC
2 x Integrated L-Series Battery Plates
|Mounting||3 x 1/4"-20|
|Dimensions||5.8 x 4.07 x 1.6" / 14.8 x 10.35 x 4.1 cm|
|Weight||13.05 oz / 370 g|
FT6 Monitor With Built-In Wireless Transmitter:
|Display Size||5.5" / 14.0 cm|
|Resolution||1920 x 1080|
|Image Controls||Anamorphic De-Squeeze, False Color, Focus Assist, Histogram, Image Flip, Pixel Zoom, Vectorscope, Waveform, Zebra|
|Antenna Ports||2 x RP-SMA|
|Video||1 x HDMI Type A (HDMI 1.4) Input
1 x HDMI Type A (HDMI 1.4) Output
|HDCP Support||Not Specified by Manufacturer|
|Audio||1 x 1/8" / 3.5 mm Headphone Output|
|Power||1 x Barrel (12 VDC) Input
1 x Barrel (8 VDC) Output
|Other I/O||1 x USB Type-C Input|
|Media/Memory Card Slot||Not Specified by Manufacturer|
|Wireless Range||800' / 243.8 m (Line-of-Sight)|
|Frequency Range||US: 5.1 to 5.9 GHz|
|Bluetooth||Not Specified by Manufacturer|
DCI 4K: 24
UHD 4K: 30/29.97/25/24/23.98
|Audio Format||PCM Audio|
|Wireless Video Compression||Compressed|
|DC Input Power||12 VDC|
|Battery Type||2 x L-Series|
|Power Consumption||18 W|
|Mounting||1 x 1/4"-20 Female|
|Operating Temperature||-4 to 131°F / -20 to 55°C|
|Storage Temperature||-22 to 149°F / -30 to 65°C|
|Dimensions||5.8 x 4.1 x 1.6" / 148 x 103.5 x 41 mm|
|Weight||13.1 oz / 370 g|
|Warranty Length||Limited 1-Year Warranty|
1x FeelWorld 5.5" On-Camera Monitor with Built-In Wireless Receiver (FR6)
1x FeelWorld 5.5" On-Camera Monitor with Built-In Wireless Transmitter (FT6)
1x Micro HDMI Cable
1x Hot Shoe
4x Transmission Antenna
1x Type-C to USB
1x 1/4 C-ring Screw
1x Small Carrying Case